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Location: Clarksburg, Maryland
Ships to: US,
Item: 315824316270
Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money back or replacement (buyer’s choice)
Size:Medium (up to 36in.)
Region of Origin:USSR
Handmade:No
Artist:YUDIN JOSEPH ABRAMOVICH (1920 – ?)
Character:Miner
Framing:Unframed
Country/Region of Manufacture:Poland
Custom Bundle:No
Style:Vintage,Affichiste,Art Deco,Illustration Art,Russian
Material:Paper
Theme:Advertising,Agriculture,Art,Community Life,History,Movies,Working Life
Personalize:No
Type:Poster
Title:PEARL IN THE CROWN
Features:Unframed,1st Edition,Limited Edition
Subject:Film,Advertising,Movies,Movie,Adventure Time,Family,Farming
Certificate of Authenticity (COA):No
Culture:USSR
Signed:No
Listed By:Dealer or Reseller
Original/Licensed Reprint:Original
Year of Production:1972
Date of Creation:1970-1980
Width (Inches):21
Unit of Sale:Single-Piece Work
Color:Multi-Color
Height (Inches):34
Original title on the poster: ЖЕМЧУЖИНА В КОРОНЕ Released title for English speaking countries: PEARL IN THE CROWN POSTER ARTIST: YUDIN JOSEPH ABRAMOVICH DIRECTED BY: KAZIMIERZ KUTZ GENRE: DRAMAI POSTER LANGUAGE: RUSSIAN PRINT YEAR: 1974 PRINT RUN: 72.000 POSTER COUNTRY: USSR FILM COUNTRY: POLAND PUBLISHED BY: “REKLAMFILM” (MOSCOW) SIZE: IN: 21½ x 34 = CM: 54.5 x 86.5 PRODUCED BY: ZESPÓL FILMOWY WEKTOR CONDITION: ROLLED, USED TO BE FOLDED FILMPLOTSTARSIMDBARTISTFILMPLOTSTARRINGIMDBPOSTER ARTIST Original official Soviet movie poster for the film: -“Pearl in the Crown” (Polish: Perła w koronie) is a 1972 Polish drama film directed by Kazimierz Kutz. It was present in the 1972 Cannes Film Festival. The film was also selected as the Polish entry for the Best Foreign Language Film at the 45th Academy Awards, but was not accepted as a nominee. The film takes place in August 1934 in the Polish part of Upper Silesia. The film tells the story of a strike in the fictional mine “Zygmunt”. Jaś, a young miner who works in the mine in question, has a wife and two young sons. Jaś comes home from shift. The next day he learns that the unprofitable mine is to be closed by flooding with water. A strike breaks out. Families help the strikers, despite the fact that the mine is surrounded by a police cordon. Petitions to the Government remain unanswered, the management persists, so the miners announce a hunger strike. The police retaliate by violently breaking up the demonstration. The determined miners decide to continue the strike underground despite the imminent threat of the mine being flooded, as per the original plan. Finally though, the management signs a settlement, and the miners come to the surface and they go back to their families. ☆ Lucja Kowolik ☆ Olgierd Lukaszewicz ☆ Jan Englert www.imdb.com/title/tt0069078/ YUDIN JOSEPH ABRAMOVICH (1920 – ?) – Soviet Graphic artist, engraver, poster artist, the chief editor of the “Reklamfilm” publishing house, Head of delegations of Soviet film posters at exhibitions abroad. Performed film posters: “A Marriage of Convenience” (1958), “Meeting a Dream” (1963), “Stration’s Daughter” (1964), “From the Life of a Loafer” (1973), “On the Night of a Lunar Eclipse” (1978), “Atonement other people’s sins “(1978),” Crazy Bullet “(1980),” Big-Small War “(1980),” Additional Trail “(1981),” The Prince of the Seven Seas “(1982),” They sat on the golden porch “( 1986), “Resentment” (1987). Collaborated with the publishing houses “Planeta” and “Plakat”; the author of social and political posters: “Dear fathers, we go steadfastly!” (1972), “Happy holiday, sailors!” (1973), “Glory to the heroic Armed Forces of the Soviet Union!” (1973), “Be a Jack of All Trades!” (1981). Yudin’s art posters are present in the State Central Museum of Cinema, the Nevyansk State Historical and Architectural Museum (NGIAM), and private collections.Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTFILMPLOTSTARSIMDBARTIST I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers.Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Original title on the poster: FILM NAME English released title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. Film title: FILM NAME POSTER ARTIST: 1234 DIRECTED BY: 1234 GENRE: 1234 POSTER COUNTRY: 1234 PRINT YEAR: 1234 PRINT RUN: 1234 FILM COUNTRY: 1234 LANGUAGE: 1234 PUBLISHED BY: 1234 SIZE: 1234 PRODUCED BY: 1234 CONDITION: 1234 FILMPLOTSTARSIMDBARTISTCONDITIONFILMPLOTSTARSIMDBARTISTCONDITION I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. LINK CHANTSEV ALEXANDER VASILIEVCIH (1949 – 2002) Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre. Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city – Palazzo delle Esposizioni. In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster “in the USA (1991-92),” Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992). Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost. New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres – advertising booklets, annual reports, logos, corporate styles – and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely. Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. I’m a paragraph. Simply double click here to add your own text and edit me. It’s easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers. !!! COLLECTION SALE !!! YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Dear visitors and collectors up for auction is highly rare Soviet agitation poster issued in english by popular USSR tourism company “Intourist”. Come to us in the USSR! – the meaning of the posters issued by the firm “Intourist” was advertising of tourist trips for foreign citizens beyond the “Iron Curtain”. You would be surprised, but some same subject rare posters are putiing up from time to time for auctions in London at Christie’s auction. Yalta Hotel – is still working nowadays under the same name. ……………………………………………….. ARTIST: unknown DATE: 1983 EDITION: 5000 PUBLISHER: “Intourist” LANGUAGE: English SIZE: in: 16×26 – cm: 40×60 CONDITION: Rolled Listing and template services provided by inkFrog
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